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《水中生活》水中的波杰克
Why I get 5 starts for this movie? Because this's Wes Anderson.
When you've done with his movie, feeling so good but didn't know why. That was supposed to be a movie from WA(kind of funny that Woody Allen also the same abbreviation).
Maybe one of the reasons that I like WA's movie was the ending. Every character was always finding something, but mostly don't have a traditional happy ending.
韦斯安德森的《水中生活》似乎被以品质著称的标准收藏公司发行。我想这可能归功于它别致的影像风格：以若无其事的轻松戏谑，讲一些沉重的东西。
主人公真实坦率得像个滚蛋，却又善良富有人情味，看着操蛋混乱，背后却坚持着某种纯真。加上生活麻烦不断又不被周围人买账，不禁让人想起那位马男波杰克。
但是《水中生活》我看得下去，可能是因为觉得波杰克有些刻意。
8/10
《水中生活》是我最喜欢的韦斯安德森作品，胜过《布达佩斯大饭店》。
我认为韦斯安德森在这部作品里展现了他迄今为止具备的一切优点：色彩、构图、镜头、定格动画、平面动画、怪胎、插科打诨、人文关怀。没有哪部作品比《水中生活》更适合来了解韦斯安德森。
而在这个基础上韦斯安德森少见地稳住了故事节奏，赋予故事一条所谓的主线，给主要人物相对完整的成长曲线。韦斯安德森终于会讲故事了。
但这就是全部吗？
谁是韦斯安德森？
韦斯安德森的目的是讲故事，还是吸引眼球呢？这里面恐怕有误会。
《水中生活》无疑是韦斯安德森电影事业上的一次的挫败，尽管用户评分尚可，但是在metacritic的媒体评分中却只得到了6.2分，也是他目前为止电影序列中的最低分。电影的票房也不尽如人意，五千万的制作成本最后仅仅收回了三千四百万的票房。连韦斯·安德森自己都进行了反思：在评论音轨中，他认为电影中的一些段落并没有拍好，并开玩笑式地提到了对于这部电影“不够细腻”的批评。
然而，在这次失败背后隐藏着的却是两位独特电影人的第一次联手
This film is a loose collection of cameo pieces that are, on their own, pretty funny, in an understated way. But the jokes are discursive and weak, and the film lacks a general direction to build up momentum. A very distant, impersonal film, where audience identification is laughingly discouraged.
Thanks to good editing and undeservedly great cinematography, however, the narrative is never a drag, and the 120+ minutes of pointless fun seems to just zip by. But since the film is far from engrossing, and there is little demand on viewer's attention, one feels no urgency to complete it any time soon. So if you have a party at home, and people have to get up from the couch to get a beer, or pass water, or simply go to the bedroom next door to make love, and then come back picking up the film where they leave off...... YES, this is the perfect party movie.
《水中生活》水中的波杰克
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