French New Wave is famous on developing Auteur theory, when the directors become the authors of their films, they are able to put their personal thinking and lived experiences into the narrative, as the point of view to show through the characters. In the film called Cleo from 5 to 7 (1962), director Agnès Varda as a female also feminist, she revealed the awakening of a girl’s inner self, through a beauty who named Cleo’s experience during a day.
背景:
1、1962阿尔及利亚战争即将结束 ;
2、波伏娃《第二性》已经出版了13年。
关于叙事:
电影时长90分钟左右,荧幕电影时间对应观众真实时间;按17-19点的时间及人物 影片划分章节。
镜子:占卜-咖啡馆-帽子店-家 cleo总有镜像 女主心理状态在寻求并验证真实自我,即瓦尔达在花絮中所说“通过别人的视角来定义自己”,就像女主台词“我以为别人在看我 实际一直只有我在看自己” ,cleo似乎徘徊在拉康镜像阶段的婴幼儿时期 需要对镜自照来确认镜中人是自己、通过别人反馈来define自己
五至七时的克莱奥:《五点到七点的克莱奥》电影剧本
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