Technically brilliant: well-paced, well acted, with excellent, well-lighted black-and-white cinematography. This movie is proof that high production values CAN save a lack-lustre plot.
What a plot it has, too! Implausible in development, with numerous loose ends (what did the inspector achieve by taking Laura away as arrested?), and laughable characterization (the mysterious fashion in which the inspector falls in love with Laura, and how did Laura acquire the social grace that charms so many sophisticates?). But the crispy pace saves it all: the nonsense is never given a chance to sink in!
艺术创作中的“视角”意识是分析一个艺术作品非常重要的切入点。纳博科夫的《洛丽塔》中独特的叙述视角，所形成的强大表意，造就了艺术史上最著名的“误读”，可谓是一段传奇佳话。
记得曾经看波兰斯基的《钢琴家》时，主人公的哥哥被纳粹抓走了，他托付给一个官员去政府部门找他哥，那时犹太平民不能进政府部门，所以主人公在外面等。如果是一个二流导演的来处理这场戏，镜头可能会要跟着官员进到政府部门内部了。但波兰斯基却把镜头停在了男主角身上，这样处理营造了一种悬念感
《罗拉秘史》黑色意味其实并不重的一部片
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