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五至七时的克莱奥：《五至七时》
Cleo de 5 a 7 is an interesting French film where the storyline follows a path onto tracing the a woman`s personal intrigues as she traverses Paris waiting on her medical results. This lady is a young pop artist whose life is Paris is filled with tension over her biopsy results as she fears that she might be suffering from cancer. Several perspectives on the Paris city are observed from the film as her interaction with the city is in real time. The main subject tin the creation of this cinema was the debate about the traditional cinema and the modern cinema shooting. Parisian landscapes are featured in the beginning of the movie scenes to appear as if it was a documentary. The director of the film, Varda, wanted to use the Paris scenes deliberately as a conscious way to unravel the French history and demonstrate the Parisian lifestyle. The impact of these scenes is essentially politic
录影片中香颂一首，致敬
(2010-10-26 10:24:05)
转载中戏小破孩儿的BLOG
http://blog.sina.com.cn/angelina2jolie
Toutes portes ouvertes
En plein courant d’air
Je suis une maison vide
Sans toi, sans toi
Comme une le déserte
Que recouvre la mer
Mes plages se devident
Sans toi, sans toi
Belle, en pure perte
Nue au coeur de l’hiver
Je suis un corps avide
Sans toi, sans toi
Rongée par le cafard
Morte, au cercueil de verre
Je me couvre de rides
Sans toi, sans toi
Et si tu viens trop tard
On m’ aura mise en terre
Seule, laide et livide
Sans toi, sans toi, Sans toi
我经常恋爱，但从未如我想象中般深爱。女孩们只想被爱，害怕交付真情、害怕失去，她们的爱三心二意，她们的躯体是玩物，没有生命，所以我也半途而废。女权的瓦尔达对婊婊们用力地扇上了几巴掌。正是婊婊虚伪、怯于冒险才失去主动，失去女权。虚伪的人不配实质的权利。
得知将死命运的克莱奥，彩色的世界褪色得只剩黑白。仆人、同事朋友、情人甚至路人的行为都放大，克莱奥小心翼翼，生怕生病的自己暴露出软弱，她不断整理假发，购置衣装，穿着华丽的白色丝绸家居服，想要迎合世界对自己的期望，伪装起自己
“我以为人人都在看着我，我眼里只有自己，这让我疲惫不堪。”
起初，克莱奥将自我的命运寄托于“神秘性”（塔罗），并活在他人的目光和期待中（美女和歌手的身份，享受他人对自己的美貌的注目礼）;渐渐的，她开始意识到自我，“身体让我开心，而不是让我骄傲”，观看的影片告诉她要摘下“有色眼镜”，即放下社会成见;最后，在公园遇到的军人，用爱解脱了她，不能只是享受被爱，害怕付出。
过去的法国真好，在咖啡馆喝完咖啡，可以潇洒地留下钱就走;打车
五至七时的克莱奥：《五至七时》
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