隔了十七年，电影里那个认真弹着吉他的20岁年轻人Glen Hansard谈到这部电影时说道：
“I loved making that film but everything afterwards was very confusing. We went to America and they tried to turn us into a real band, it was a big promo gravy train, and the thing is the Commitments weren't actually a very good band. I felt like a cheat. We were being promoted like rock stars, and then it was over. It's a bit like what's going on with reality TV: imagine giving somebody everything they've ever wanted for a month, then taking it all back. It was an awful experience in terms of feeling emotionally robbed. And I was stuck with Outspan for years. Everybody I met thought I was that guy."
Links:
http://www.telegraph.co.uk/culture/music/3671358/Glen-Hansard-how-a-Dublin-busker-got-booked-for-the-Oscars.html
《追梦者》，我更喜欢这个翻译。
The Commitments,其实是给自己的一个承诺。
当吉米对德里克说：“你不想一辈子庸庸碌碌，你要站起来狂呼：“我是德里克·斯考利，我不是个窝囊废！””
当本妮身旁围着一堆麻烦的时候说：“人活着总要有点盼头。”
当神经质主唱“德酷”深情唱着：“The Dark End Of The Street”
The Commitments,其实是给自己的一个承诺。
结尾可能有些残酷，但是却给人以警示：别轻易放弃，再坚持一会儿，你生命中的“克劳特”就会来拜访你！
我们，也需要这样的“灵魂乐”
如果仅仅是用《迷墙》的眼光来看这部电影，我只想说：FUCK OFF!
FIFF11丨DAY7《追梦者》：哪怕相聚的梦想最后还是各奔东西
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