电影诗人与他的结尾

原本以为这部电影又是讲什么打动人心的爱情故事，被打脸后的我：很好，这很现实。爱该不该伴随着责任？这是我看完影片的第一个想法。
没有责任的爱，充斥着激情、自由，听起来是青春之恋，听起来具有悲剧的易碎美感，很适合成为一种艺术，但生活里，不是我们所需要的。几年前的我，若是看到将来的自己说出这番话，会因为认为被亵渎了崇高的自由精神，被侮辱了完全纯粹的爱，而气急败坏冲到未来掐死自己。但这就是生活所教育我的，通过泪水，悲鸣，抑郁，恐惧

“AT SOME point in their marriage Tom Eliot went mad and promptly certified his wife.”
That’s what Edith Sitwell said to Michael Hastings before he wrote this absorbing, moving play in 1984, and, if Tom and Viv is to believed, she had a point. Eliot’s first wife was mischievous, erratic and sometimes pretty peculiar. But was T. S., who had vowed undying love for her, justified in so utterly abandoning a woman who could claim to be his muse, or at least his Dark Lady?
But then, as Hastings concedes in his intro to the text, Tom and Viv isn’t wholly to be believed. The play belongs to that increasingly popular but deeply questionable genre, speculative biography, or “faction”.

这是第一次写影评，有些观点可能与其他人相悖，希望仅供参考，莫要纠结于此，若有些不符望见谅。
我去看这部影片的时候并未看影片简介，相反，我更愿意在什么都不知情的情况下仔细观看电影，不仅是好奇，也为自己的心留下一些神秘感。不得不说影片的名字就已经吸引到了我，我自身喜欢读一些诗歌来消遣时光，在心底我非常爱慕诗人，甚至希望以后的伴侣也会是一位才华横溢的诗人，所以怀着一颗喜悦的心点开了播放键。
影片开头倒也没什么，无非是一个清纯的女孩子Viv在影片中俏皮的样子

“诗人与他的情人”宗教与女性主义
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