格林纳威的作品始终拥有大量对称的构图和与镜头节奏完美契合的音乐来展现肃穆，庄严的仪式感。而这种仪式感在此片中可谓达到极致，一场关于死亡的仪式，生命最后的仪式。同时，肮脏，反伦理，食与性，死亡本能，生理不适，这些格林纳威招牌也一应俱全，此片可谓格林纳威元素之集大成者，喜欢他的人自然会颅内高潮。另外，此片中大量对生命进化，生命科学等等知识的插入讲解形式还让我想到了阿伦.雷乃的《我的美国舅舅》。
一片开始是两个小孩将一只狗向着动物园里拉，而狗却奋力向反方向挣扎
Blatantly laying bare Greenaway’s deep-dish kink concerning our corporeality onto the silver screen, A ZED & TWO NOUGHTS (automatically can be conflated into ZOO), his third feature, is a grand execution on cinematic symmetry, characterized by his undue fascination about dismemberment and decay, but squeamish ones shouldn’t be disquieted, since Mr. Greenaway knows fairly well how to configure his final output.
【一个Z和两个O】對稱就是一切
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