奥利佛·斯通的《尼克松》，这部电影，让人有种被连环画砸中头部的错愕。斯通那标志性的抽风剪辑和滤镜堆砌，从《天生杀人狂》延续到这部政治巨制中，仿佛用力过猛的强光灯突然照进你的眼睛，让你分不清楚是疼痛还是震撼。
让我们说实话，这种风格在斯通手里，就像是他的尚方宝剑，挥舞起来确实有点乱，但打击的却是时代的神经。《尼克松》这部电影，就如同其本人，充满了争议。斯通这个导演，就是要在争议中挑战极限，他不满足于给你讲一个简单的故事，他要把尼克松的灵魂挖出来，放在你面前，让你自己去判断
You cannot stop it, can you? Even if you wanted to. Because it’s not you, it’s the system. The system won’t let you stop it.
Then what’s the point? What’s the point of being president? You are powerless.
Because I understand the system. I believe I can control it, maybe, not control it totally. But tame it enough to do some good.
Sounds like you are talking about a wild animal.
She got it, Bob. Nineteen-year-old college kid.
《尼克松》热播传记片 在黑暗与阳光下
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