除了后半段出现的那段民乐表演，整体拍摄风格与埃米尔·库斯图里卡以往完全不同，更偏向于吉姆·贾木许。影片用一种凄凉描写无法可及的梦想，影片中每个角色一次次被梦想唤醒，一次次又与现实妥协，死亡也许是唯一可以通往目的的阶梯，所以导演用超现实主义手法完成了一次又一次美好的死亡仪式，在致敬西北偏北、Rocky、教父时，也表达了导演对他乡寻梦的无力，耗尽青春的热情寻找自我，不如归去却又何处归去？
When I first watched this movie, it was completely on another level of understanding. I was inevitably thinking, as the great part of people who saw it, about dreams, love, romantic life, etc. I was even thinking about the Taoist filosophy about the metaphor of butterfly when i saw the flying fish, and some reincarnation theories when turtles were on scene, thanks to my particular cultural background, which let me get to a deep level of understanding of this kind of lines(
【亚利桑那之梦】诗性的公路片
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