德国著名导演赫尔佐格的早期作品《侏儒流氓》（auch zwerge haben kiein angefangen）也译为《侏儒也是从小事做起/侏儒也是同样长大/侏儒叛逆记》，拍摄于加那利岛的兰察罗特，讲述了一所教养院里侏儒们的故事。整个影片充满着诡异、变态的气质，但同时又对现实世界做了既主观又客观的高度概括，展现出赫尔措格独特的个人风格。
一、暴徒心理的展现
影片中的侏儒们展示出一种近乎暴徒的心理。他们似乎长期受着压抑，既无法实现个人欲望，也没有空间自由，被禁闭在一个莫名其妙的“教养院”里，被管理者限制了各种权利。但这不意味着他们没有反抗的情绪，当他们抓住了机会，就不可抑制地掀起一场“暴动”，尽管动机可以理解，但手段是非理性的、结果是非建设性的。
整个暴乱都是“以众欺寡”——当然，暴乱者们曾经也是被欺的“寡”，如今翻身农奴把歌唱了。个体欲望的满足是最先表现出的，显得尤其迫切。他们高喊的口号中有“我们要逛妓院”，做的事情首先包括促婚（把同伴中他们认为应该撮合的凑到一起，偷窥，有点儿“闹洞房”的意思）
毫无疑问
放出来的侏儒自由了
开始把心的欲望发泄 爆发 放大
当他们玩够了就开始共产主义了
This is one of my favorite films ever, 11 October 1999
Author: Philip R. Food ([email protected]) from San Francisco, CA
This film isn't just depraved and misanthropic, it's depraved and misanthropic with heart.
Despite it's grotesqueness, it depicts a fantasy of rebellion and transgression that I've loved for years. The urge to break free and destroy the confining objects and circumstances of our lives is within all of us. The potential joy of trashing and rendering inoperable our cars, the implements of our work, even our foodstuffs and houses lurks somewhere on a subconcious level, wether we are able to admit it to ourselves or not. Herzog has made an archetypal statement, very simply and unambiguously. The exhilaration of watching these laughing little people dismantle, bludgeon and set fire to their surroundings is immense
《侏儒流氓》怎样设计一场不无聊的伊甸园
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